Watercolours by Edo Hannema

Let the water be your guide

zaterdag 15 september 2018

Wieringen

The former island of Wieringen is so beautiful! Thanks to Bouk for the beautiful picture of this island.
qrt sheet Millford paper 140 lb





zaterdag 30 juni 2018

Alvaro Castagnet



Every watercolor artist knows him, well I think you should know him if you are interested in watercolor. He is quite a phenomenon in watercolor. His work is very recognizable and full of rich washes with pigment. But behind all that color is a artist mind, that unconscious makes designs and layout in his painting. Well unconscious...., he just paints a lot, and gives many workshops. And its weird but true, from teaching people that can't paint so well as yourself, you learn a lot too.
How many do not stare at their watercolor on a certain stage, and say to them self's how must I do that foreground without ruining the rest of my careful brushed painting. Or they are finished and ask them self what is missing. What part can I add to my watercolor that it becomes better and more of a eye-catcher. Well you are to late! The design must be done before you start, the design and layout must be ready before the first brushstrokes.
But..watercolor is unpredictable and just going a other way then you want it to go, then you must have enough skills to follow your watercolor. its got no use to going against it!!
Keep the design intact, cause that is a part that works, its also why many artist make little thumbnail sketches, or a more worked out watercolor-sketch.
Design is something you can learn, to study paintings, what are the lines, why is it work, why is it I keep looking, why does this painting attract me so much?
This week my eye fell on a painting from Alvaro Castagnet, it is a very clever one made.
His brilliant design works here on his best!




















Paris  Alvaro Castagnet Watercolour (1.20 x 0.65 meters)
The feature that stands out obviously  is of course the turquoise roof, from there you are follow the only sharp object on that height, and you land on the second turquoise roof, much smaller but it stands out well, nothing more to see there then blurry shapes but then the light building on the left catch your attention, and the shadow helps you to travel to the street below with zebra-paths and a few cars, people and a red traffic-sign, the small green dots of color leads you to a lighter big green shape that you follow to the other corner, very clever, in that corner is completely nothing. Only shade and darkness. He don't want you to look there!! He made it easy, there is a sort of stairs of windows you climb to the light above, you jump over to the roof on the right, and that roof is directing you exactly where he wants you to look, the green round roof again! Full circle and you stay focused in the painting.
This is  how I see it, there are many ways, and maybe Alvaro thought about it, but I think its more the talent and instinct of Alvaro self. He just paint, and brush down what is necessary to make it work and with a beautiful design! All on his own feeling!
Learn to look at a painting, and your solution what must or what can I do will improve your own work too.
This is one way to look on a painting, and why the painting is working, there are a lot of methods, Edgar A Whitney, Tony Couch and Tony van Hasselt have created systems to value your watercolor on what is missing and what you could do to improve it.
I never did have the pleasure to follow a workshop with Alvaro, but I have his books and a few of his dvd's to get a glimpse of his magic!
website Alvaro: http://www.alvarocastagnet.net/

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Can you see it in this one?
I wished I did have half of his talent, I am still learning, and maybe I never learn.
But I enjoy what I do, as long as you have fun, your on the right way!
Regards Edo

donderdag 28 juni 2018

Painting a Dutch Landscape

This is a Frisian landscape.
I painted this before, and it thought it would be nice to make a movie from it.
Hope you all like it, have fun watching.
If you like it please give me the Thumbs up,
its a new thing for Google for ranking video's on you tube.
The movie is on You Tube in HD video
Thanks in advance!



by Edo Hannema

Low Tide Watercolour

Low Tide
You wake up with a idea.
Low tide and dark poles in the water.
Keep it simple and enjoy.
The idea as sketch
The First Wash
Painting the poles
The finished watercolour.
When you inspired by this little watercolour and make one yourself.
Please give me or my website some credit!
Thank you
Painted on:
square Saunders Waterford CP (not) paper 140 Lb 28X28 cm

Painting a Hydrangea

On our dinner table stands a Hydrangea, it is a nice plant, and it is also a bit of a neat version.
You could say they all make the perfect Hydrangea’s at the plant grower.
And when you paint it like this it will be a watercolour, but not a exciting watercolour.
Like a modern building is boring we painters like a bit of old style, a old shed or fence that brake down a bit. We like that.
So I opened this photo in a photo application and tried to make it more the way I like it!
I added some flowers with the clone stamp, I blurred the image a bit and gave it a lighter look.
Okay now it is out of focus and looking more creative then the photo.
But will it work?
My next thing is to make a sketch from this blurry picture, and keep the shadows in mind!
Saving the whites and building up the flowers.
The sketch was done with a BIG wide graphite pencil.
Also I used this pencil to avoid details.
I sketch’t in the shapes of the flowers and the shadow sides. I decided to loose the light green pot and make it glass to have a bit of interest here too!
In real there were no flower stalks because it is a plant with compost!
But we are free to make what we want don’t we?
So I chose my colours and hoped for the best!
I didn’t look at the original photo anymore, but just used the sketch as a guide.
There was a moment I thought I could not do this, because I seldom make flowers.
But I went on and just what Joseph Zbukvic mentioned in his last dvd, forget the subject just paint what the watercolour is needing helps a lot!
Loose the light were you don’t want it, and bring in the darks where they are needed!
In this stage I really cannot explain a lot how I make these watercolours, because it  comes from intuition a lot. Maybe when I do more flowers I could make a movie about it.
This is the end result, some of you have already seen it on Facebook or Twitter, but this is the small story behind it.
Paper: Saunder Waterford rough 140 lb qrt sheet
Pigments: Rembrandt
Thank you
Edo Hannema

zondag 26 februari 2017

my palette and colours

I receive a lot of questions about my colours.
I don't have a lot of colours, for landscape art your palette can be taken down to earth colours.






woensdag 8 juni 2016

Aubrey Phillips

Back in 1987 I began my journey in watercolor, eager to learn paint watercolors.In those days I saw a great future in front of me. John Pike was my hero, he was the absolute top in watercolor. And also the first book I bought about watercolor was from John Pike!Joseph Zbukvic and Alvaro Castagnet were not known yet these days. No books no videos, the dvd didn't exists, and the founder from Facebook was still walking around in diapers!
Kees van Aalst
Zoltan Szabo and John Blockley filled up the numerous watercolor books, and in the Dutch magazines like Palet en Tekenstift you saw articles of Ron Ranson, Tony van Hasselt and the Dutch artist Kees van Aalst. later I found out that Tony is also a Dutch born artist!
Szabo was also a painter that I liked, only his techniques seemed so difficult to me! And of course Jan Groenhart a Dutch watercolor artist with wonderful Dutch landscapes and a master of how the North of Holland must look!
In those days you saw also watercolor books that were not so good, (in my eyes back then) I saw them in the bookstore and convinced myself that this was just very bad quality in watercolor. Just not my taste and not attractive. No... this is not what I want for my road to become a watercolor painter. That book was from Aubrey Phillips.
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Oh boy what was I wrong there! 
I was a novice in watercolor, and I didn’t recognized the sublimity of this painter!
It was in the year 2014, I was looking for John Pike photo's I found a site from the Dutch artist Arie Jekel and when I saw the page from his inspiration I found John Pike, Edward Wesson, Edward Seago and Aubrey Phillips!
The first few artist were my heros too, but Aubrey Phillips I remembered, was that painter I disliked.But curious why Arie did have Aubrey as his inspiration I looked up Aubrey’s paintings on Google to refresh my memory and instantly fell in love with the style and simple elegance of the brushstrokes. Apparently my mindset how watercolor must look was 180 degrees turned!
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Aubrey Phillips  photo apvfilms
Aubrey Phillips caught me, and I want his book!!! And believe me nowhere in the Netherlands I found it, back in 1987 it was in every bookstore, and now nowhere!!
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The texture of the paper helps to create the atmosphere. Warm colours in the front cooler colours in the background
I found the book in the UK and it was in excellent condition, the only minor thing is that it smells a bit (worse) after a moist basement. I tried the freezer, Microwave, Cat Grits. It's already better than it was, but okay I have the book!
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The warm sky in contrast with the cool snow!
The lesson learned is that you have to look further and longer to a artist art. To understand and value it. Dont think its rubbish (like me back in 1987) but study how its done.
The Cotswolds on september evening
The Cotswolds on a September evening
Most of the time when it looks simple it is really hard to make! When something is wrong in a minimalistic watercolor, it stands out like a red flag, therefore everything have to be in the right place. When you see watercolors of the “cracks” among us you will notice the economy of brushstrokes, there is no clutter or mud, just well placed brushstrokes in just the right amount of pigment and water quantity.
“When you can do it in less than one brushstroke you are on the right way!” (J. Zbukvic)
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A warm watercolor, and still its a winterscene! It breaths "keep it simple"
Aubrey Phillips have a minimalistic approach to watercolor, he use heavy paper from the Mill Richard de Bas about 400 grams
Colours : Ultramarine Blue, Cobalt Blue, Monestial Blue*, Cadmium Red, Alizarine Crimson, Burnt Sienna, Burnt Umber, Raw Umber, Raw Sienna, Light Red, Lemon Yellow, and Viridian, nothing more fitted in his paintbox
Brushes; A Hake 2,5 Inch and a 1 Inch flat, Nr 14 Sable round, nr 11 and 8 Sable round and a rigger nr 4
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Another winterscene.  The vertical strokes of the brush are ideal to suggest water.
Summary:Aubrey Phillips is a member of the Pastel Society and the Royal West of England Academy and was a Gold Medallist at the Paris Salon. He is a regular exhibitor in London and the provinces and runs his own art courses.
Aubrey R Phillips RWA. Renowned for his pastel paintings of the Malverns and the Black Mountains areas. Born 1920, Astley, Worcestershire. Aubrey Phillips studied at Stourbridge School of Art and at Kidderminster. Phillips lectured at Malvern Hills College and Bournville School of Art, and has had exhibitions at the Timaeus Gallery, Birmingham ( 1981) and at the Patricia Wells Gallery, Thornbury (1988). He is  also the author of books on the use of pastels and watercolours. Member of the RWA, PS,WSW and the Armed Forces Art Society. Solo exhibition at the National Library of Wales. Aberystwyth. Gained a Gold Medal at the Paris Salon in 1966. Phillips worked in and around the Midlands for a number of years in the 1970s, He has been called one of the leading landscape painters of the Midlands. his expansive changing skies are captured by strong strokes and his use of atmospheric colours. Lived in Malvern, Worcestershire.
Websites
Arie Jekel
Joseph Zbukvic
Tony van Hasselt
Alvaro CastagnetKees van AalstJan Groenhart
  • Monestial Blue is Phtalo Blue, Rembrandt Blue or Winsor Blue
If you like this article, you can read the sequel a friend of my made on his blog after reading this post about Aubrey Phillips.
Click the link below
"brushes with watercolour"
© Edo Hannema

Soft light over the waterways

Qrt sheet Millford 300 grams cp #stcmill #Millford #saunderswaterford #dalerrowney